Edelweiss, 2025, digital collage/study for painting created with 26.1.0 Adobe Photoshop. No generative ai tools were used.
Don't Tell Me It's Raining, 2025, digital collage/study for painting created with 26.1.0 Adobe Photoshop. No generative ai tools were used.
So Many Dicks, 2025, digital collage/study for painting created with 26.1.0 Adobe Photoshop. No generative ai tools were used.
Battle For Civilization (build 42.5), 2025, digital collage/study for painting created with 26.1.0 Adobe Photoshop. No generative ai tools were used.
Purity Test, 2025, digital collage/study for painting created with 26.1.0 Adobe Photoshop. No generative ai tools were used.
Is Everybody Happy?, 2024, digital collage/study for painting created with 26.1.0 Adobe Photoshop. No generative ai tools were used.
End Times Yo, 2025, digital collage/study for painting created with 26.1.0 Adobe Photoshop. No generative ai tools were used.
General Tso's Thrill Ride, 2025, digital collage/study for painting created with 26.1.0 Adobe Photoshop. No generative ai tools were used.
Und du bist mein Sofa (AIEE-AH), 2024, digital collage/study for painting created with 26.1.0 Adobe Photoshop. No generative ai tools were used.
Long Haul, 2025, digital collage/study for painting created with 26.1.0 Adobe Photoshop. No generative ai tools were used.
Double Down, 2024, digital collage/study for painting created with 26.1.0 Adobe Photoshop. No generative ai tools were used.
Only Pleasant Things, 2025, digital collage/study for painting created with 26.1.0 Adobe Photoshop. No generative ai tools were used.
Continuum, 2025, digital collage/study for painting created with 26.1.0 Adobe Photoshop. No generative ai tools were used.
So You Think You Can Tell, 2025, digital collage/study for painting created with 26.1.0 Adobe Photoshop. No generative ai tools were used.
The Autonomy Myth, 2025, digital collage/study for painting created with 26.1.0 Adobe Photoshop. No generative ai tools were used.
The Burden We Share, 2024, digital collage/study for painting created with 26.1.0 Adobe Photoshop. No generative ai tools were used.
Nope, Sorry, 2025, digital collage/study for painting created with 26.1.0 Adobe Photoshop. No generative ai tools were used.
Everything's Just Fine, 2024, digital collage/study for painting created with 26.1.0 Adobe Photoshop. No generative ai tools were used.
We Tigers, 2025, digital collage/study for painting created with 26.1.0 Adobe Photoshop. No generative ai tools were used.
Man In The Wilderness, 2024, digital collage/study for painting created with 26.1.0 Adobe Photoshop. No generative ai tools were used.
Have It Your Way, 2025, digital collage/study for painting created with 26.1.0 Adobe Photoshop. No generative ai tools were used.
When It Rains, It Pours, 2025, digital collage/study for painting created with 26.1.0 Adobe Photoshop. No generative ai tools were used.
When I Go Deaf, 2025, digital collage/study for painting created with 26.1.0 Adobe Photoshop. No generative ai tools were used.
Sing For The Moment, 2024, digital collage/study for painting created with 26.1.0 Adobe Photoshop. No generative ai tools were used.
I Wouldn't Recommend It, 2025, digital collage/study for painting created with 26.1.0 Adobe Photoshop. No generative ai tools were used.
In a world increasingly filtered through screens, I create images that hover between presence and illusion.
My work is a collision of analog and digital - paint, pixels, collage, and code - layered to form dense, hybrid spaces where meaning fragments and reforms. I draw from the noise of the everyday: outsider art, advertising, punk energy, glitch logic. These elements don't just coexist - they clash, dissolve, and recombine. I'm interested in what happens at these points of friction: where abstraction absorbs representation, where authorship slips, and where the viewer is invited not just to look, but to question their relationship with the image.
Using digital photo-editing tools alongside hand-drawn marks and photographs, I construct visual surfaces that feel tactile yet untouchable - illusions of depth and form that ultimately reveal themselves as constructs. These are not paintings in the traditional sense, nor are they purely digital artifacts. They are something in between - transitional objects for a transitional age.
My work is rooted in the belief that art should challenge perception, resist categorization, and mirror the fragmented, fast-moving world we now inhabit.